“Well, the situation is pretty dire here. The guidance we offer all of our clients to put everything they’ve got into tinned provisions and hunting rifles.” That bit of sage advice comes from the Brain Gremlin – a lab-engineered, articulate, bespectacled member of the slimy Gremlin horde that infests Manhattan’s super-smart Clamp Tower skyscraper in filmmaker Joe Dante’s unhinged continuation Gremlins 2: The New Batch. Superficially, it’s simply an financial suggestion from one monster to another. But, oddly enough, it’s also surprisingly sturdy life guidance. Seriously, hear me out.
When situations deteriorate, the worst thing you can do is view events with undue solemnity. The Brain Gremlin understands this. In fact, the majority of the fang-bearing creatures that populate Dante’s wild 1990 film (possibly his finest) possess the same sly, self-aware comic sensibility regarding the hazy boundary separating the mundane and absolute bedlam. It’s one element of Gremlins 2: The New Batch that ensures my return – and as I age, it’s the underlying idea that strikes the deepest chord.
Of course, my fondness for this movie did not begin on such an introspective level. Growing up, we possessed merely a few battered VHS tapes at home. Included within that collection were Gremlins and its follow-up, the latter housed in a bulky previously-rented case probably bought from an non-chain rental store and featuring grimacing beasts on its knackered cover. I was immediately enamoured and these films wasted no time embedding themselves inside my small, malleable brain. After that point, they became an near-everyday part of my childhood viewing routine.
Dante’s first film typically gets all the praise, thanks primarily due to its legacy as a semi-scary seasonal fave – and to be fair, I’ve watched Gremlins more times than I can count. However, its sequel infrequently obtains the same level of elevated esteem, which feels a travesty. As a kid, I’d always seize the chance to watch Gremlins 2. During long summer holidays, I’d lock myself inside and stick it on. When I acquired my personal TV-VHS combo unit, it continued playing looped in my bedroom. With repetition, it etched itself permanently in my mindset. If my parents observed this fixation, they didn’t seem to mind.
As I grew, new revelations enhanced repeat viewings, amplifying the pleasure of watching diminutive verdant beasts happily vandalize a New York high-rise. I learned the ahead-of-its-time development mogul and Clamp Tower owner, Daniel Clamp (John Glover), was modeled closely on the eventual commander-in-chief Donald Trump, with his ginger staff member Marla (Haviland Morris) referencing his former spouse Marla Maples. Luckily, Clamp has more heart than his genuine article inspiration.
The “end of civilisation” video Clamp plays during peak-Gremlin chaos? I discovered it was based on a genuine “Doomsday” video commissioned by the CNN boss Ted Turner as a contingency for the world actually met its demise. I noticed how Dante took extra pains to film different iterations of a self-aware scene where Gremlins seize control of the exact movie you are viewing. An edit for movie houses, another for home video and television, each delivering a smirking slice of meta pop-culture magic ahead of its time.
While it was creature designer Rick Baker’s gloriously nasty-looking creatures that captured my attention as a child, this deeper gold held my interest as an adult. Eventually, I even spoke to Dante about it myself and he had no qualms telling me he made the movie with the specific aim of poking fun at those who loved its silly-yet-sincere predecessor and desired a sequel. “We were going to make fun of the fact you came to see it,” he cheerfully disclosed. This Looney Tunes-esque defiance and determination to not take his sequel as solemnly as his Warner Bros bosses evidently expected, only made me love it even more.
When I experienced a sudden family bereavement earlier this year, I was taken aback to discover that, during my most profound sorrow, all I felt compelled to do was sit and watch Gremlins 2: The New Batch. Odd, no? Perhaps not. The comforting familiarity it offered was essential to dilute my mind’s sadness sludge – but the perspectives it had given me as an adult were similarly beneficial.
Like Gremlins tearing apart a genetics laboratory, there’s particular aspects in life you just cannot manage. Dante knows it. The Brain Gremlin shares this wisdom. Sometimes, you have to follow their example: accept the turmoil, put everything you’ve got into tinned provisions and hunting rifles and try not to view the world with undue solemnity.
It’s robust worldly wisdom from a most improbable origin – and it’s the reason Gremlins 2: The New Batch will eternally stand as my go-to cinematic solace.